Some Notes: "French Lieutenant's Woman" by John Fowles.

FLW is a straight-laced love story is couched within a postmodern, self-conscious meditation on authentic existence, evolution, class struggle, and the nature of authorship. The taradiddle form is explored through a constant evaluate of representation with combines an examination of cultural surface with formidable scientific discipline in storytelling &type A; the ability to create compelling characters & a vivid sense of affable context. With es joint-like excursions into Victorian social mores, self-reflexive authorial intrusions, and his Victorian narration with a 20th ampere-second sensibility, Fowles simultaneously constructs and deconstructs a Victorian novel, presenting radical cognitive experiments which contend fundamental principles and assumptions about texts, its interaction with history and reality, ultimately producing an evolved reader. What results is a peerless, cross-genre hybrid of romance, philosophy, historiography, and postmodern metafiction.

(With flagrant manipulations of Vic. plot structures, and the pseudo-Vic. style of umpteen passages, FLW is affectionate parody of Vic. narrative conventions. The playful ending in chapter 44 presents a conventional Vic. conclusion, where the protagonists are suitably married, the wicked punished, the lives of the cut class disregarded, and pasture restored. The incongruous so ends the story mocks narrative closure. Fowles toys with the reader, making Charles and Ernestina have what shall it be - let us say seven children -drawing attention to the unreliable spontaneity of the writing process.



Fowles describes authors in terms of fight promoters: they put the conflicting interests in the ring, describe, fixing. The signalise these are the very steps that Jane Austen made Louisa Musgrove fall overthrow in Persuasion reveals the manipulative author behind the veil, the almighty puppeteer who controls the characters in the synesis of fiction.)

Fowles dispels the traditional assumption that texts are a slicing of reality by asserting the unnarratability of reality, and debunking the text-bound illusion of the Victorian Age, whilst constantly drawing...

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