Cooper Union Building Essay Example | Topics and Well Written Essays - 4000 words

Cooper Union Building - Essay ExampleAs the Cooper Union Centre is dedicated to the promotion of science and art, this innovative building stands for the basic value of the institute by blending scientific architectural design experiment with a creative dream for future building designs. Most of the building is lit by natural sunlight and the green crownwork of this building has won it LEED Gold rating. The design of the building attains a political overt unrivaled primarily with assimilating the spirit of Peter Cooper, the founder of the institution, who aimed at promoting free access to all, to the arts, whereas appreciation of art hushed at large remains an upper class vocation and privilege. It was Slavoj Zizek who took the idea of political unconscious delineated by Frederic Jameson based on the theory of Marxism, and developed it to make it a useful tool in evolving a critique of architecture. Zizek observed that there is a coded heart and soul in an architectural formal play, and the message delivered by a building often functions as the return of the repressed of the official ideology. ... This essay begins its stemma in the realization that architecture is not at all an, autonomous art but peerless that exists in relation with a complex web of social and political concerns.8 In this strive to find the political connotations of architecture, one has to take into account, many streams of thought as evolved by social critics and philosophers the likes of Adorno, Walter Benjamin, Georg Simmel, Roland Barthes and so on. For example, while comparing imaginative and functionalist architecture and its progression through history, Adorno has pointed for the need of a young aesthetics that addresses both the ends of the spectrum.9 This has to be understood in the backdrop of a market oriented architectural ideology. If the history of architecture is traced from a political angle, it can be seen that the entry of an affluent bourgeoisie reflected in arc hitecture as decline in craftmanship, enduring mediocrity, and the swindle of mechanical reproduction.10 This resulted in unmitigated kitsch and later in an attempt to overcome this and address modern realities of capitalism, monstrous, schematically rigid skyscrapers (began to) project kayoed of a raging sea lacquered tin.11 Bloch had called this trend in architectural design as non-humanely and rendered unvaried in the domineering form of the glass box.12 Marxian analysis of architecture has taken this discourse one step further and shown how cultural artifacts, including buildings, serve to reinforce the hegemony of commodity capitalism.13 Hale has went on to apologise this concept further citing Walter Benjamin and said that A new architecture had evolved in iron and glass, which decay the distinction between inside and outside space. This perfectly suited the