Current Events in Business Research Essay Example for Free

Current Events in Business Research Essay INTRODUCTION There are six basic stages to the research process. Stage 1 is clarifying the research question. This would be the process in identifying the problem that is prompting the research. Stage 2 is proposing research, which would be the act of identifying the resources necessary to do the research. The third stage is designing the research project, or deciding which method to use to gather the information. Stage 4 involves data collection and preparation, which is gathering the data and making it ready to be evaluated. Stage 5 would be the data analysis and interpretation stage. Stage 5 is defining what the data is saying about the problem. The final stage, stage 6 is reporting the results. This is breaking down the interpretation into a presentation that shows the meaning of the data collected. (Cooper Schindler, 2014) This is the process used by Paramount Pictures recently when it was in contract negotiations with the DVD rental company, Redbox. THE DILEMMA As the major Hollywood studios took sides for and against Redbox, Paramount Pictures was staying neutral. The studio had signed a first-of-its-kind trial deal guaranteeing that its titles will be available from the fast-growing $1-a-night DVD rental company through the end of the year. During that time, Paramount would study the effect of Redbox rentals on its total home-entertainment revenue, examining whether there is any decrease in the sales of its DVDs at stores that house Redbox kiosks. Under the terms of the agreement, Paramount would have the option at the end of the year to trigger a five-year deal with Redbox similar to ones recently struck with  competitors Sony Pictures and Lionsgate. The estimated value of the agreement was $575 million. Redbox President Mitch Lowe agreed because Paramount movies performed better at the box office that year. A Paramount agreement would give the studio a share of rental revenue, meaning it could earn more than $575 million if its movies prove popular. Sony and Lionsgate are selling their discs wholesale to Redbox. Though it doesnt have a formal deal with the company, Walt Disney Studios allows its wholesalers to sell discs to Redbox as well. (Fritz, 2009) There has been a lot of debate in the industry about the impact Redbox is having and will have, and we felt the best way to make a decision is by getting the information, said Paramount Vice Chairman Rob Moore. Then we can make an informed decision based on what we will have learned over the next four months. Guaranteed access to Paramount’s movies was important for Redbox. The studio released two of that summers biggest movies, Transformers: Revenge of the Fallen and Star Trek.(Fritz, 2009) A movie that plays well in the theaters tends to do well when it is available to rent. Rental revenue could also provide a much-needed boost to the bottom line of Paramount. Lowe said he was confident that providing detailed data to Paramount would help resolve the heated disputes in Hollywood about his companys effect on the entertainment business. Lowe has previously said his companys research found that DVD sales dropped less than 1% in stores that installed a Redbox kiosk. Many studios do their own analysis that we know is not as reliable and is aimed at coming to the answer they want to hear, he said. We find that when we can form a relationship with a studio and share real data, it results in a positive step forward. Moore said he hadnt reached any definitive conclusions as to what steps he would take if the data showed that Redbox rentals do in fact reduce overall revenue. So, the dilemma that Paramount has is whether or not partnering with Redbox will reduce its sales income more than it will increase its rental revenue. THE PROCESS Paramount and Redbox did the research to determine whether or not rentals available the same day to buy decreased the sales revenue any more or less than those studios who decided to wait 28 days to make them available. Despite some content executives recently having touted the benefits of a  28-day window for DVD titles, Coinstar Inc.’s CEO Paul Davis said the companys own research showed Redbox Automated Retail LLC kiosks have a minimal impact on DVD sales. We did a major study, a little over a year ago, with a major studio and a major retailer and we found that the impact on new product sales as a result of our $1-a-night being out there, day and date, was less than 1%, Redbox worked closely with Paramount, and they did a lot of testing as well, and the fact that they decided to go with day and date (of release) I think speaks volumes.(James, 2010) CONCLUSION After reviewing the data collected by themselves and Redbox in 2009, Paramount Pictures made their decision. In June, 2010, Paramount exercised its option to extend its revenue-sharing license agreement with Redbox, which gives Redbox access to Paramount’s newly released DVDs and Blu-ray titles on the same day they are released in the sell-through market. Paramount’s extended agreement with Redbox runs until the end of 2014, though the studio will had the option to terminate the agreement early at the end of 2011. (James, 2010) As a result of the research, Davis thought that studios that have the 28-day window might opt to tweak their Redbox agreements to get certain DVD titles out for rental sooner. Especially as more and more data gets out there and as the studios that have opted for the 28-day window, as they have a year or so to look at the data, see how its impacted their new product sales it could move that we get some titles earlier, he said.(James, 2010) The process that Paramount and Redbox used, and the data they collected, could prove to be useful data to the other studios as to whether or not they should wait the 28 days. Reference Cooper, D. R., Schindler, P. S. (2014). Business Research Methods (12th ed.). New York, NY: The McGraw-Hill Companies, Inc.. Fritz, B. (2009, Aug 26). COMPANY TOWN; paramount to give redbox a spin. Los Angeles Times Retrieved from http://search.proquest.com/docview/422289074?accountid=458 James, S. B. (2010). Impact of day-and-date redbox rentals on DVD sales less than 1%. SNL Kagan Media Communications Report, Retrieved from http://search.proquest.com/docview/869743836?accountid=458

The Semiotics of the Encore :: Concert Music Audience Papers

The Semiotics of the Encore Introduction In this reflexive paper, I wish to add a brief addendum to the literature about the semiotics of performance by examining the semiotic acts that surround the ritual of the encore in a live concert performance. I will bring to my analysis of this phenomena my twenty-some years of experience witnessing rock concerts in venues of all sizes and with a wide variety of audiences and performers. I will argue that there are specific elements to this ritual that are of particular interest to semioticians. I am going to attempt an admittedly incomplete semiotic analysis of the encore based on Daniel Chandler's guidelines for "D.I.Y. Semiotic Analysis," as found at http://www.aber.ac.uk/~dgc/sem12.html. The Umwelt of the Encore What are the important signifiers and what do they signify? - What is the system within which these signs make sense? - What connotations seem to be involved? (Chandler, based on Berger, 40-41) The Umwelt of the concert goer, or semiotic 'stage' of this event, includes: the literal stage, which is raised to a greater or lesser degree above the seats on the main floor of the concert hall; the levels of seating--the class structure, to put it in Marxist terms; the ushers and/or security; the tickets which are required to gain admittance; as well as the background of prior experiences that the concertgoer brings with him or her, and an infinite number of other aspects. Of course, this Umwelt, like all Umwelten, is not identical or universal for all of the concertgoers. Each individual member of the audience builds up their own particular knowledge structures of this kind of event; these structures form their own particular Umwelt. The more experiences of concerts, the more complex the Umwelt constructed around them. For instance, the Grateful Dead often performed two sets without an opening act. Most concerts feature two acts with an interim between them. A friend of mine, unfamiliar with the way the Dead's music and the way they structured their concerts, went to her first Dead show and in the intermission between sets, said loudly, as it had been twenty minutes or so since the band had left the stage, "Gee, when are the Dead coming on?" This was greeted with howls of derision from her surrounding neighbors, whose Dead-concert Umwelt was more developed. The most important aspect of the rock-concert Umwelt, I would argue, isn't directly observable: the invisible ring or wall around the stage which separates the performers from the audience.

Imam Mosque Isfahan

Imam Mosque, is a mosque in Isfahan, Iran standing in south side of Naghsh-i Jahan Square. Built during the Safavid period, it is an excellent example of Islamic architecture of Iran, and regarded as one of the masterpieces of Persian Architecture. The Shah Mosque of Esfahan is one of the everlasting masterpieces of architecture in Iran. It is registered, along with the Naghsh-i Jahan Square, as a UNESCO World Heritage Site. Its construction began in 1611, and its splendor is mainly due to the beauty of its seven-colour mosaic tiles and calligraphic inscriptions.The mosque is one of the treasures featured on Around the World in 80 Treasures presented by the architecture historian Dan Cruickshank. The mosque is depicted on the reverse of the Iranian 20,000 rials banknote. [1] History Shah AbbasCopper engraving by Dominicus Custos, from his Atrium heroicum Caesarum pub. 1600–1602. In 1598, when Shah Abbas decided to move the capital of his Persian empire from the northwestern ci ty of Qazvin to the central city of Isfahan, he initiated what would become one of the greatest programmes in Persian history; the complete remaking of this ancient city.By choosing the central city of Isfahan, fertilized by the Zayandeh River (â€Å"The life-giving river†), lying as an oasis of intense cultivation in the midst of a vast area of arid landscape, he both distanced his capital from any future assaults by the Ottomans and the Uzbeks, and at the same time gained more control over the Persian Gulf, which had recently become an important trading route for the Dutch and British East India Companies. 2]The chief architect of this colossal task of urban planning was Shaykh Bahai (Baha' ad-Din al-`Amili), who focused the programme on two key features of Shah Abbas's master plan: the Chahar Bagh avenue, flanked at either side by all the prominent institutions of the city, such as the residences of all foreign dignitaries, and the Naqsh-e Jahan Square (â€Å"Examplar of the World†). [3] Prior to the Shah's ascent to power, Persia had a decentralized power structure, in which different institutions battled for power, including both the military (the Qizilbash) and governors of the different provinces making up the empire.Shah Abbas wanted to undermine this political structure, and the recreation of Isfahan, as a Grand capital of Persia, was an important step in centralizing the power. [4] The ingenuity of the square, or Maidan, was that, by building it, Shah Abbas would gather the three main components of power in Persia in his own backyard; the power of the clergy, represented by the Masjed-e Shah, the power of the merchants, represented by the The Imperial Bazaar, and of course, the power of the Shah himself, residing in the Ali Qapu Palace.The crown jewel in this project was the Masjed-e Shah, which would replace the much older Jameh Mosque in conducting the Friday prayers. To achieve this, the Shah Mosque was constructed not only with visi on of grandeur, having the largest dome in the city, but Shaykh Bahai also planned the construction of two religious schools and a winter mosque clamped at either side of it. 5] Because of the Shah's desire to have the building completed during his lifetime, shortcuts were taken in the construction; for example, the Shah ignored warnings by one of the architects Abu'l Qasim regarding the danger of subsidence in the foundations of the mosque, and he pressed ahead with the construction. [6] The architect proved to have been justified, as in 1662 the building had to undergo major repairs. [7] Also, the Persians invented a new style of tile mosaic (the Seven-colour) that was both cheaper and quicker, and that eventually speed up the construction.This job was masterly done by some of the best craftsmen in the country, and the whole work was supervised by Master calligrapher, Reza Abbasi. In the end, the final touches on the mosque were made in late 1629, few months after the death of the Shah. Also, many historians have wondered about the peculiar orientation of The Royal square (The Maidan). Unlike most buildings of importance, this square did not lie in alignment with Mecca, so that when entering the entrance-portal of the mosque, one makes, almost without realising it, the half-right turn, which enables the main court within to face Mecca.Donald Wilber gives the most plausible explanation to this; the vision of Shaykh Bahai was for the mosque to be visible wherever in the maydan a person was situated. Had the axis of the maydan coincided with the axis of Mecca, the dome of the mosque would have been concealed from view by the towering entrance portal leading to it. By creating an angle between them, the two parts of the building, the entrance portal and the dome, are in perfect view for everyone within the square to admire. [8] Architecture and design The entrance iwan with its towering facade Design – the four-iwan styleThe Safavids founded the Shah Mosq ue as a channel through which they could express themselves with their numerous architectural techniques. The four-iwan format, finalized by the Seljuq dynasty, and inherited by the Safavids, firmly established the courtyard facade of such mosques, with the towering gateways at every side, as more important than the actual building itself. [9] During Seljuq rule, as Islamic mysticism was on the rise and Persians were looking for a new type of architectural design that emphasized an Iranian identity, the four-iwan arrangement took form.The Persians already had a rich architectural legacy, and the distinct shape of the iwan was actually taken from earlier, Sassanid palace-designs,[9] such as The Palace of Ardashir. Thus, Islamic architecture witnessed the emergence of a new brand that differed from the hypostyle design of the early, Arab mosques, such as the Umayyad Mosque. The four-iwan format typically took the form of a square shaped, central courtyard with large entrances at each side, giving the impression of being gateways to the spiritual world.Painting by the French architect, Pascal Coste, visiting Persia in 1841. The painting shows the main courtyard, with two of the iwans. The iwan to the right is topped by the goldast, which in many Persian mosques had replaced the function of the minarets. Standing in the public square, or Maidan, the entrance-iwan (gateway) to the mosque takes the form of a semicircle, resembling a recessed half-moon and measuring 27 meters in height, the arch framed by turquoise ornament and decorated with rich stalactite tilework, a distinct feature of Persian Islamic architecture.At the sides rise two minarets, 42 meters high, topped by beautifully carved, wooden balconies with stalactites running down the sides. Master calligrapher of the Royal court, Reza Abbasi, inscribed the date of the groundbreaking of the construction, and besides it, verses praising Muhammad and Ali. [10] In the middle, in front of the entrance, stood a small pool and a resting place for the horses, and inside the worshippers found a large marble basin set on a pedestal, filled with fresh water or lemonade.This basin still stands as it has for four hundred years, but no longer serves the function of providing refreshments to the worshipers at the Friday prayers. When passing through the entrance portal, one reaches the main courtyard, centered around a large pool. The two gateways (iwans) on the sides leads ones attention to the main gateway at the far end, the only one with minarets, and behind it the lofty dome, with its colorful ornamentation. The distinct feature of any mosque is the minaret, and the Masjed-e Shah has four.Still, in Persian mosques, tall minarets were considered unsuitable for the call to prayer, and they would add an aedicule, known in Persian as a goldast (bouquet) for this particular purpose, which in the Masjed-e Shah stands on top of the west iwan. [11] The Religious Buildings Interior view of the winter m osque, built as a typical hypostyle mosque. Inside, the acoustic properties and reflections at the central point under the dome is an amusing interest for many visitors, as the ingenuity of the architects, when creating the dome, enables the Imam to speak with a subdued voice and still be heard clearly by everyone inside the building.The mihrab, a large marble tablet ten feet tall and three feet wide on the southwestern wall, indicated the direction of Mecca. Above it the Shah's men had placed a gold-encrusted cupboard of allow wood. It held two relics: a Quran, said to have been copied by Imam Reza, and the bloodstained robe of Imam Hussain. Although never displayed, the robe was said to have magical powers; lifted on the end of a pike in the battle field, the belief was that it could rout an enemy. [12] From the main courtyard, the iwan pointing to east contained a religious school, or madrasa.It contains an inscription by calligrapher Muhammad Riza Imami praising the Fourteen Imm aculate Ones (i. e. , Muhammad, Fatimah and The Twelve Imams). The iwan in the western corner leads to another madrasa and a winter mosque. In its own, private courtyard, one can find the famous sundial made by Shaykh Bahai. The dome As with iwans, the introduction of domes into Islamic architectural designs was done by the Persians. The oldest such building is the Grand Mosque of Zavareh, dating 1135. 13] The Persians had constructed such domes for centuries before, and some of the earliest known examples of large-scale domes in the World are found in Iran, an example being the The Maiden Castle. So, the Safavid Muslims borrowed heavily from pre-Islamic knowledge in dome-building, i. e. the use of squinches to create a transition from an octagonal structure, into a circular dome. To cover up these transition zones, the Persians built rich networks of stalactites. Thus, came also the introduction of this feature into Persian mosques. A renaissance in Persian dome building was initia ted by the Safavids.The distinct feature of Persian domes, which separates them from those domes created in the Christian world or the Ottoman and Mughal empires, was the colorful tiles, with which they covered the exterior of their domes, as they would on the interior. These domes soon numbered dozens in Isfahan, and the distinct, blue-colored shape would dominate the skyline of the city. Reflecting the light of the sun, these domes appeared like glittering turquoise gem and could be seen from miles away by travelers following the Silk road through Persia.Reaching 53 meters in height, the dome of the Masjed-e Shah would become the tallest in the city when it was finished in 1629. It was built as a double-shelled dome, with 14 meters spanning between the two layers, and resting on an octagonal dome chamber. [14] Art Mosaic detail, as found in the Shah Mosque, showing Quranic calligraphy written in Thuluth script (photo taken at the Lotfallah Mosque). Interior view of the lofty dome covered with polychrome tiles, intended to give the spectator a sense of heavenly transcendence.The Masjed-e Shah was a huge structure, said to contain 18 million bricks and 475,000 tiles, having cost the Shah 60,000 tomans to build. [15] It employed the new haft rangi (seven-colour) style of tile mosaic. In earlier Iranian mosques the tiles had been made of faience mosaic, a slow and expensive process where tiny pieces are cut from monochrome tiles and assembled to create intricate designs. In the haft rangi method, artisans put on all the colors at once, then fired the tile. Cheaper and quicker, the new procedure allowed a wider range of colors to be used, creating richer patterns, sweeter to the eye. 7][16] According to Jean Chardin, it was the low humidity in the air in Persia that made the colors so much more vivid and the contrasts between the different patterns so much stronger than what could be achieved in Europe, where the colors of tiles turned dull and lost its appearanc e. [17]Still, most contemporary and modern writers regard the tile work of the Masjed-e Shah as inferior in both quality and beauty compared to those covering the Lotfallah Mosque, the latter often referred to by contemporary Persian historians, such as Iskandar Munshi, as the mosque of great purity and beauty. 18] The architects also employed a great deal of marble, which they gathered from a marble quarry in nearby Ardestan. [7] Throughout the building, from the entrance portal and to the main building, the lower two meters of the walls are covered with beige marble, with beautifully carved poles at each side of every doorway and carved inscriptions throughout. Above this level begins the mosaic tiles that cover the rest of the building. The entrance portal of the mosque displays the finest tile decoration in the building.It is entirely executed in tile mosaic in a full palette of seven colors (dark Persian blue, light Turkish blue, white, black, yellow, green and bisquit). A wide inscription band with religious texts written in white thuluth script on a dark blue ground frames the iwan. The tiles in the Masjed-e Shah are predominantly blue, except in the covered halls of the building, which were later revetted in tiles of cooler, yellowy-green shades. [16] Facing northwards, the mosque’s portal to the Maidan is usually under shadow but since it has been coated with radiant tile mosaics it glitters with a predominantly blue light of extraordinary intensity.The ornamentation of the structures is utterly traditional, as it recaptures the classic Iranian motifs of symbolic appeal for fruitfulness and effectiveness. Within the symmetrical arcades and the balanced iwans, one is drowned by the endless waves of intricate arabesque in golden yellow and dark blue, which bless the spectator with a space of internal serenity. Architects The architects of the mosque are reported to be the following masters:[10] * Muhibb Ali Beg (Supervisor of the project, and als o the imperial treasurer) * Ostad Shaykh Bahai (Chief architect) * Ostad Ali Beg Isfahani * Ostad Badi al-Zaman Ostad Abu'l Qasim Measurements The port of the mosque measures 27 m (89 ft) high, crowned with two minarets 42 m (138 ft) tall. The Mosque is surrounded with four iwans and arcades. All the walls are ornamented with seven-color mosaic tile. The most magnificent iwan of the mosque is the one facing the Qibla measuring 33 m (108 ft) high. Behind this iwan is a space which is roofed with the largest dome in the city at 52 m (171 ft) height. The dome is double layered. The whole of the construction measures 100 by 130 metres (330 ft Ãâ€" 430 ft), with the central courtyard measuring 70 by 70 metres (230 ft Ãâ€" 230 ft).

My Dad - Original Writing - 1598 Words

February 27, 2002 was the last time I told my father I loved him. I was home watching old action movies and preparing for school that night, when my little brother barged into my bedroom and jokingly demanded that I come to my step mom’s house and have a sleepover with her kids. I declined and reassured my little brother that I was most definitely not coming because our dad was cooking his famous gumbo and renting an action movie from Blockbuster! I loved movies so much that as a child, my dad called me the VCR bandit. After about what seemed to be a million pleases from my brother, I finally caved and said yes! As I got my bags packed and began to enter my step mom’s car, I yelled to my dad, â€Å"I love you daddy!† and he yelled back, â€Å"I love you too, Boo Boo!† That next morning my little brother, step siblings and I started to get ready for school. While fumbling with my hair in the mirror I thought to myself, â€Å"Hey, I actually had fun. This wasn’t so bad after all. â€Å"When the four of us finished getting dressed, we ran upstairs to wake my step mom but she wasn’t there. Maybe she ran to the store or something I thought. About an hour later, I started to get agitated because she nor my dad had made it to take us to school and neither one was answering their phones. Twenty minutes later, my step mom s sister called the house phone and said she was coming over to take us to school. Finally! I said. When she got there, she had a look of fear and uncertainty on her face. As sheShow MoreRelatedMy Dad - Original Writing Essay751 Words   |  4 Pagesit was going to be a normal day, but, I was wrong. Growing up, my mom told my sisters and I about my Uncle. How he was hot tempered and did things that were crazy when he didn t get his way. My mom and his relationship has always been tense. From what I ve seen, and from what she has told me. When she got shot by him that day, it proved to me that she was right. 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