H.Sharma
Art forms which go up and emerge usually reflect the culture of the society at that point of time. Such form is not necessarily mellow contrivance created for a privileged group or for a specific purpose.
Instead, the forms represent the day-to-day life, the experi¬ences so gained and the many moods then created. In course of time work of art created for sole(a) purposes came to be produced.
In the Mauryan intent there were remarkable pieces of works of art by the state. With the formation of societal groups who could extend scorn to the creator of art forms new trends in art activities came about.
In the post- Mauryan peak such patronage by divers(a) social groups was the reason behind the phenomenal development and growth of various art forms of the times when art activities spread all everywhere India and beyond.
From the Mauryan period onward a shift is withal discernible towards the use of non-perishable material such as stone as the medium for creative expression.
It was also the time for interaction with those art forms which flourished beyond the frontiers of the country when various schools of art were formed. The schools of Gandhara and Mathura emerged as also the features characterising Saranath and Amaravati.
The general characteristics of art and architec¬ture during 200 bc-ad 300 can be stated as below:
1. Art forms in this period are representations of the symbols, centres and units of the religions practiced by the people.
2. The Buddha images which are sculpted during the period are a departure from the earlier forms which were symbolic, such as a pair of footprints, the Bodhi tree, etc. Image worship be¬came a common practice among all religions from this time on.
3. more(prenominal) stupas, chaityas and viharas were constructed than earlier times.
4. Symbols used in art forms were not easy lay to one particular religion. Yakshas, Yakshinis, Nagas and Naginis from the Brahmanical pantheon deco¬rate...If you want to get a in full essay, order it on our website: Ordercustompaper.com
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