African Cinema

 

Sub-Saharan African cinema started within the 1950's, emerging first inside the type of short films, beginning with 2 sub-Saharan Senegalese films Paulin Souman Vieyra's Afrique sur Seine in 1955, and then Ousmane SembFne's Borom Sarret in 1963. Senegal once again took the lead in sub-Saharan African filmmaking, after SembFne made its first black African feature film in 1966, La Noire de?, and Safi Faye produced the very first black African women's film in 1975, Kaddu Beykatt. Thanks to Senegal, other Francophone countries have been inspired to develop cinemas: Burkina Faso, Niger, Cameroon, Mali, and Mauritania; this Francophone cinema comprises 80% of Sub-Saharan cinema.

African cinema has been largely with the cinTma d'auteur genre, a tendency that underlines the desire of African authors and filmmakers to "convey a message towards people". Approximately 90% of African films are of this genre, and it reflects a didactic high quality which is characteristic with the African film medium. Ousmane SembFne, who is considered the "father of African cinema" and "the most critical pioneer of African Francophone cinema," is himself each author and filmmaker.

African cinema's independence hinges over a transfer of funding, production, distribution, and exhibition out from the hands of Hollywood and Europe and to the hands of Africans. In terms of funding, the African Union needs to initially finance the African film marketplace to get rid of it in the hands of European investors and Hollywood directives; following that, it may possibly eventually be able to exist on independently raised local and international funds. Furthermore, economic manage in the marketplace needs to pass to the hands from the film guilds. The prices of large-scale and longterm projects for high-grade films can also be somewhat reduced by the use of tax incentives, but the tax shelters for filmmaking that made a proliferation of low-quality African films within the eighties should be avoided. The African Union can develop strategies and policies to govern the African film industry and allow it to be profitable on its own.

The primary way that African filmmakers promote cinema on a continent is through film festivals. Africa has an unusually large amount of film festivals during the continent, but African films are also exhibited in African film festivals in other countries within the world. Inside United States, the African Film Festival Traveling Series is often a film festival that presents African cinema and supports African films that are overlooked by distributors.

 

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