Art Journal

Art Journal #2 Last week Ive been to the San Francisco Museum of modernistic Art. There was a cunning pretend called Femme au lid (Woman with a Hat) that I appreciate a lot. It left a very deep impression to me when I prototypic saying this pigmenting, not only because of the color, but also the big hat. It was first exhibited at the 1905 Salon dAutomne in Paris, this work was at the decoct of the disceptation that led to the christening of the first modern art front man of the twentieth century. The term fauve ( foolish beast), invented by an art critic, became for forever associated with the artists who exhibited their brightly sullen canvases in the commutation gallery of the Grand Palais. This artwork pronounced a rhetorical change from the regulated brushstrokes of Matisses earlier work to a much expressive individual style. His use of non-naturalistic colour and movable brushwork, which contributed t o a sketchy or unfinished quality, seemed blow out of the water to the viewers of the day. The emigre Stein family bought the painting soon afterward its initial showing.

Although king of beasts typified the work as the nastiest smear of paint I had ever seen, the Steins recognized its importance and began a persistent patronage of the french artist. Sarah and Michael Stein then brought the painting to San Francisco where it was bought in the 1950s by the Haas family. In 1990 Elise S. Haas left to the Museum thirty-seven paintings, sculptures, and work on piece of music by modernist masters, among them Femme au chapeau. wholeness can see it in photographs of Sara! h and Michaels home on grieve Madame. It was a centerpiece in Sarahs home in Palo Alto, CA for many years. Sarah Stein posterior sold the painting to her hotshot Elise Haas who donated it to SFMOMA.If you want to get a full essay, order it on our website: OrderCustomPaper.com

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