In The Agamemnon women are envisioned as beardown(prenominal) and baronful. Clytaemestra rules Argos which she calls my city while her hubby Agamemnon is away at Troy, and the emit of Argive Elders show her reverence. She manages to drip mold Agamemnon to give way and walk on the tapestry she spreads out for him presentation she has authority over him and in the end her strength of heart leads to her being able to strike Agamemnon wiretap off and kill him. Cassandra to a fault is shown to be strong, but in a different way. The Chorus call her much enduring and say her heart is brave showing that Aeschylus does not believe that only men can be strong and brave, but women can as well. Women are also portrayed as untrustworthy and treacherous betrayers. Helen for example leaves her husband and tike to run away with Paris the prince of Troy, causing the trojan horse war to be waged for a woman. This is said by the Chorus and as it is one of their functions to direct aud itory modality sympathies it is clear that the audience is supposed(p) to see that Helen is untrustworthy and to blame for the war. Later they call her the bride of spears and blood and blood flower, more(prenominal) than references to how she is to blame for the death of men and cities through her betrayal.
This is shown in Clytaemestras actions when she goes to bed with the wolf, when her purplish lion ranges far away, cheating on Agamemnon with Aegisthus. Also Clytaemestra performs the last-ditch betrayal to Agamemnon when she Struck him down and kills him. Cassandras description of Clytaemestra as a viper, double-fanged seems to fit the word pictu! re of women as treacherous perfectly. It seems likely that in writing this Aeschylus is attempt men to be... If you want to get a full essay, rear it on our website:
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