Roman Shit List :: essays research papers

Romans were collectors and admirers of Greek cunning. Art from Greece was brought to Rome, copied, and also changed by the Romans. As a result, Roman craft is somewhat based on Greek art. However, Roman art is not merely a extension of Greek art. For an amateur it is difficult to determine between the two art forms because neither the Romans nor the Greeks wrote down the history of their own art. The characteristics pertaining to each particular instance of art are known to some extent, so the experts are comparatively accurate in determining the separation of the two types of art. Roman art is divided into four categories portrait sculptures, paintings and mosaics, relief sculptures, and statues. Each of these has its own characteristics. portraiture sculptures, designed by the Romans, shows the desire of the Romans for literalness it records even the homeliest features. This is demonstrated in the sculpture, mentality of A Roman, made of marble in 80 B.C. The artist painstaki ngly reported each rise and fall and each bulge and twist of the entire facial surface. It was as if the artist was acting like a map maker, trying not to miss the slightest detail. The end product was a blunt, bald record of features. Idealism nor improvement of features was done causing the shade of superrealism. Paintings and mosaics were influenced by the architecture of the Romans . Their architecture consisted of buildings containing a small number of doors and windows, consequently leaving considerably large stretches of wall space suitable for decoration. The case was determined by the importance and the wealth of the patron. The walls were used for two things in Roman art. First, they were used as a barrier. Secondly, they were used to visually expand the wall and enhance the space of the room. Only certain colors were used. These were dark red, yellow, green, violet and black. Two methods were used to prepare walls for painting. In one, plaster was heighten with mar ble dust, then laid directly on the wall in several layers. It was eventually beaten smooth with a trowel until it became dense. Finally, it was garbed to a marble finish. The wall was then ready to be miscellaneous with water colors or encaustic paints. The other method, called panel painting, consisted of stucco creation applied to boards of cypress, pine, lime, oak, and larch.